이상원
.png)
Park Jongkyu
 Vertical Time90.9x72.7cm, Acrylic on Canvas, 2022 |  Vertical Time72.7x60cm, Acrylic on Canvas, 2022 |
|---|---|
 Vertical Time90.9x72.7cm, Acrylic on Canvas, 2022 |  Vertical Time116.8x91cm, Acrylic on Canvas, 2022 |
Solo
2022 Noosphere 2022, CNK gallery, Daegu
Vertical time 2022, BK gallery, seoul
2021 Vertical time 2021, Gana Art Nineone, Seoul
~Kreuzen 2021 J. PARK, Joeun Gallery, Seoul
2020 ~Kreuzen 2020 J. PARK, Date Gallery, Busan
2019 ~Kreuzen 2019 J. PARK, Daegu Art Museum, Daegu
~Beacon Code 2019 J. PARK, Gallery Bundo, Daegu
~Beacon Code 2019 J. PARK, Gallery Yangsan, Yangsan
~Beacon Code 2019 J. PARK, Billy Works, Daegu
2018 Trajectory 2018 J. PARK, Date Gallery, Busan
Trajectory 2018 J. PARK, Shin Gallery, NewYork
Embodiment 2018 J. PARK, Youngeun museum, Gwangju Gyeonggi-do
The Armory Show New York section Focus,EMBODIMENT, New York
2017 Embodiment 2017 J. PARK, Ben Brown Fine arts , Hongkong
Embodiment 2017 J. PARK, Indang museum, Daegu
Residuals and Errors, Good space, Daegu
Art basel hong kong section insight (Maze of onlookers), Hongkong
Etc.
Group
2020 TEFAF MAASTRICHT 가나아트, 마스트리히트, 네덜란드
2018 아트바젤 홍콩, 리안갤러리, 홍콩
OMAKASE, 신갤러리, 뉴욕
2017 쾰른아트페어, Ben Brown Fine arts, 쾰른
2016 Korea Tomorrow 성곡미술관 서울
창원국제조각비엔날레, 창원, 한국
2013 Mart Art전, 관훈미술관, 서울
아트열차 2013 도시철도 프로젝트, 대구 도시철도 1호선
제4회 국제현대미술제 고백의정원, 광주비엔날레미술관, 광주
2021 <Utopia: now here>, Gallery BK, Seouㅣ
2020 TEFAF MAASTRICHT GanaArt, Maastricht, The Netherlands
2018 Art Basel Hong Kong,Leeahn gallery, Hongkong
OMAKASE, Shin Gallery New York, New York
2017 Art Cologne, Ben Brown Fine Arts, Koeln
2016 Korea Tomorrow, Sungkok Art Museum of Art, Seoul
Changwon International Sculpture Biennial, Changwon
2013 Mart –Art, Gwanhoon Museum Of Art, Seoul
Art Train Project 2013, Daegu
The 4th International Contemporary Art Gwangju Art-VisionExhibition, Gwangju Biennale
Park Jongkyu transforms digital images into the world of causes. With the title "Vertical Time", he visualizes noise through images of points and lines within pixels, the smallest unit of a digital image. He shows that we can all proudly shine as a main character even when we're left out from the center of attention. In other words, the things that were abandoned just because they were judged useless or unnecessary were substituted for 'noise', and at the same time, the question of whether an artistic value exists in the excluded things was solved through his work.
The noise in Park Jongky's work means the noise in an auditory sense and unnecessary signals in electronic communication. With the theme of noise found in digital images, he attempts to break down the general concept, questioning the criteria of necessity and unnecessity, mainstream and non-mainstream. The area was expanded to include plane works, installations, performances, and videos while dealing with his concerns, attitude and relationship with his work.